04
Dec
2020
Reflection: Documenting Levadia
The Swedish artist and film-maker Jonas Myrstrand participate at the ArtCafe with a screening of his music documentary The Singing Raven (60 mins).
He did a “Spring Race” on the Erkyna river with some children and filmed it to make “A good Memory of Water”. Jonas also documenting and filming the hole process, actions and interactions of all the artists to trace the learning and impacts of Memory of Water in all the partner cities. Read More
Residency: Levadia Production Residency
Artistic Residency
The 1stArtists’ Residency in Levadia (28 January – 2 February) focused on a first and in depth acquaintance of artists with the city and its people. The artists during their first residency had the opportunity to discover different sources of inspiration for their artistic proposal. The 2ndresidency had as a main objective the artistic intervention of the participating artists for the elevation of the river Erkyna and the space along the river as well as to show that the river is a vital element for the development of the city. There was a positive footprint from the residency in the city.Read More
Reflection: Preparing for Levadia
Our six artists from six European post-industrial cities are preparing to embark on the second of their six residencies, this one in Levadia, Greece. I am so excited to know what the artists are thinking and have glimpses of what might be, like glittering reflections on the water. Siegfried from Ostend who works with spray paint, is identifying some young people who make graffiti art in the city. Will they work on one particular wall in one particular space to create work together? Will they work on their own work and also help the artist create a new mural for the city?Read More
Reflection: On the Banks of the River Erkyna
The Memory of Water Residency Programme consists of two international visits in three cities: Levadia, Gdansk and Govan. The first visit is focussed on understanding the local context by meeting and learning from communities, field experts and stakeholders. The second visit is focussed on artistic production when the artists will deliver planned actions and interventions in partnership with their hosts. Our first research residency took place in January with the Municipality of Levadia and our base camp was the former public laundry on the banks of the River Erkyna in what was once the industrial zone of the city.
In developing the programme for the first research residency, we took into consideration a number of important factors. Of course, we began with our core research question: What’s next for post-industrial waterfront heritage zones in European cities? Then, we discussed our three residency themes: (1) memory and heritage; (2) access and inclusivity; and (3) environmental responsibilities and impacts. This was followed by specific requests from the artists. We have invited the artists to share with us here their reflections on each visit so that we may trace the similarities and differences between each of the partner cities.