21 Feb 2019

Reflection: Blind dates

It was our pleasure to go on nine blind dates during our first day in Levadia! This was a fun way, proposed by artist and curator Rafika Chawishe, for the artists and local community groups to break the ice. Not only did we meet citizens from all walks of life through this process but we learned that some of the groups had taken the theme Memory of Water and applied it to their own activities before our arrival. This was a special surprise for the artists who heard from clients of EPAPSY and EKEPSYE (two organisations providing mental health supports) about the healing power of the river and what emotions the river conjured for them.

Later that evening we had another blind date – this time in three languages! – when we were invited to a tea party by newcomer citizens. KEDHL is a municipal organisation which provides an organic integration programme for refugees and asylum seekers. Newcomer citizens are welcomed by the Mayor on arrival, told they are safe and welcome, and hosted in apartments in the city. These families generously opened their homes to us and gave us advice on what to see and do in Levadia.

– Mary Conlon (Ireland)

21 Feb 2019

Reflection: The Bulldozer

During his presentation on The Industrial Zone of Erkyna, local historian Vassias Tsokopoulos proposed the biggest threat to cultural heritage in Levadia is the bulldozer. Many former factories have been demolished or are falling into dereliction while some buildings have been preserved for cultural purposes. He also discussed intangible heritage giving the example of our base camp for the residency which was a former cotton ginning factory, a flour mill, and the public laundry, all powered by the energy of the river. Only some of these industrial functions are visible today, as the basement space has been converted into the Historical Ethnological Museum and the ground floor will soon host a permanent exhibition dedicated to local painter Theodoros Lazaris (1882-1978).

Vassias raised many interesting questions about the complex nature of memory. What should be kept and what should be demolished? As the city develops regeneration plans, does the conversion of the industrial zone into a touristic product constitute memory loss? Would the mere preservation of such buildings also cause a kind of memory loss? In the end, what will we know and remember about the names, faces, and indeed lives of the people who worked in these factories?

– Mary Conlon (Ireland)


11 Feb 2019

Reflection: Myths & legends

The River Erkyna runs continuously through the city of Levadia. So many impressions, warm welcomes, and pictures … The camera fills with faces, meetings and conversations. Only now with a little distance and on a closer look at the pictures and clips, I realise the heavy stream of influence the river has here in Levadia. This stimulates our creative challenge and we are in the middle of the flow! The ideas begin to take shape, collaborations wake up, exchanges with the locals are investigated and begin to take form. There is so much to do – while the Erkyna continues to flow.

We also met a living legend, the sculptor, poet, actor, and philosopher Spyros Gourgiotis who recounted the myth of the river. Spyros made the statue of Erkyna looking up over the surface in the middle of the river. The model was his own daughter and he showed us a drawing in his studio where a school class had drawn pictures of the sculpture and wrote under that: “The Myth of Erkyna is Spyros’ daughter…” That’s the way to relate and mix all of our impressions of myths and reality, cultural heritage and local groups, in the spring flood.

– Jonas Myrstrand (Sweden)



02 Feb 2019

Reflection: The river as a place to remember and a place to forget

I was incredibly inspired by the stories of the River Erkyna when I came to Levadia for the first time during the research residency in January 2019. I came away thinking that the river was a kind of spine for the town, historically providing everything from laundry facilities and rubbish takeaway, to an important place for ritual. The river was a place to remember and a place to let go – echoing the myth of the Oracle of Trophonius (see image above), which like many ancient Greek oracles was built at the nexus of two springs. I began asking about stories or rituals involving the river, from everyday encounters to symbolic and important lifetime events like baptism.

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01 Feb 2019

Reflection: The Perfect Wall

After lunch break, we hooked up with the local graffiti crew at Levadia. Always exciting meeting artists with the same passion, spray paint that is. And amazing how we connected straight away; I guess that when graffiti runs through your veins, it’s like a universal language when you meet other “writers” (graffiti artists). With the sun at its highest point we left for our city stroll. For me especially, the hunt for a canvas/wall was on. And there are plenty of great walls in Levadia! The potential for Street Art productions in this compact city is incredible. Lots of huge “blind” walls and all in perfect smooth concrete… “WALLhalla”!

Unfortunately tagging seems popular among Levadian kids. It’s almost everywhere. Sure I’ve got nothing against a well designed, aesthetic tag but mostly this wasn’t the case. Our group discussed this issue while we continued our exploration. “One way to counter illegal tagging is to provide a legal graffiti wall or space,” I suggested. A place where graffiti painters can practise their skills without the fear of being caught, this can result in higher level of artistry and mostly results in outgrowing the phase of simple tagging. It’s a “fight-fire-with-fire” concept, so to speak. Of course the locals were all in favour. Legal graffiti walls are mostly combined or near a local skatepark. Since the two sub-cultures are intertwined. We crossed the street… and there it was… a huge wall, in plain sight, near the riverbank, just outside the old city centre. This concrete surface was just screaming to be painted… I knew I had found… the perfect wall!

– Siegfried Vynck (Belgium)


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31 Jan 2019

Reflection: The River Erkyna

It was a whirlwind introduction to Levadia and some of its citizens. A generous welcome awaited us led by the mayor showing us the tradition of Xenia – Greek hospitality at its finest! The week was spent meeting people, all of whom have had an impact on, or been impacted by the landscape, culture, history and traditions of Levadia and the Erkyna River in particular.

The river flows from high in the mountains, fed by multiple springs as it reaches the town. It then passes through old mills, man-made falls, locks, and under bridges until it relaxes into its natural pathway at the other side of town, gently flowing through an unfinished and unnamed public park. This unnamed park, sitting beside a giant unfinished government building and shows a town at a standstill. But the river is in constant flow, always squeezing through the barriers put in place by industrious humans over the centuries. Erkyna was there before the people of Levadia. It inspired myths and legends. How can we bring this powerful history back to life? How do we infuse the citizens of Levadia, through contemporary art, with the energy and power of the beautiful yet unstoppable Erkyna?

– Mary Conroy (Ireland)

16 Jan 2019

Meeting: Partners gather in Levadia

Agenda “Memory of Water”

Report of

Partners Meeting, Levadia 31 January – 1 February 2019

Venue: Old Town Hall, 1 Karagiannopoulou str.


Present: Iwona Preis, Mary Conlon, Martin Meire Virgine Michils, Liz Gardiner, Lambros Skarlas, Andreas Stamatakis and (Magdalena Zakrzewska, Roman Sebastyanski via skype).


First meeting – Artists’ Residency in LevadiaRead More

15 Jan 2019

Residency: Artists in Levadia

Between 29 January and 2 February, the first of three artist residencies will be held in Levadia, Greece. Memory of Water partners from Sweden, Scotland, Poland, Belgium and Ireland will be hosted by their Greek counterparts to exchange and generate creative approaches to post-industrial waterfront sites.

Over the five days, there will be an intensive, diverse programme of presentations, discussions, site visits, workshops and interactions with various institutions and local bodies. The findings from Memory of Water will reach out locally, nationally and internationally, exploring and challenging histories and futures of industry and waterfronts through artist and community-led discussions.


04 Jan 2019

Residency: Levadia Research Residency

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