06 Dec 2020

Govan webinars: Does ArtWash or does ArtWork?

1st Session "To Govan With Love"
An evaluation of the 'remote' working practices imposed by the global pandemic.
Chaired by Professor Katarzyna Kosmala (UWS) 'Shadow Expert' on the Memory of Water project, curator and art writer.
Artist residencies across participating cities in Europe involved in the Memory of Water were live in person but (due to Covid-19), the Govan residencies had to be socially distanced. As the artists from Ostend, Limerick, Stockholm, Gdansk and Levadia were unable to travel to Govan, they sent their ideas To Govan With Love so that local people, artists and community members could deliver them.

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04 Sep 2020

Residency: Govan Pivot

Over the next two months, a series of public art projects will be happening across Govan, Glasgow, as part of Fablevision’s role in Memory of Water. These six productions will be designed by an artist in Scotland and five European artists remotely. The projects will include a music production, mural painting, printed work, stencilling, performance, and filming.

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11 Sep 2019

Reflection: On Govan

This was my first visit to Govan and the River Clyde and it was an eye opener for me in many ways. I had just visited Edinburgh and in contrast Govan seemed poor and under-resourced. We heard dark stories of the dangerous river with underwater currents, suicides and poisoned waters. It was not a friendly way to look upon the river, even many buildings didn’t have windows toward the water. We learned that the city had a difficult time after the shipyard industry declined. It never really recovered from that.

But it felt very hopeful for the future. We explored the river by bike, on foot and even by row-boat and canoe. Dr. Alan Lesley and Ingrid Shearer shared the fascinating history and geography of the river when we visited the Clydesdale Rowing Club. We met many innovative organisations and people supporting local crafts people and cultural operators as well as social enterprises. We met the team at the Kinning Park Complex, a truly unique and pioneering organisation for the local community. There, I screened my first film from Levadia in Greece for everybody for the first time.

The Urban Lab was really inspiring with lots of examples of projects, events, and cultural heritage research that are flourishing there. It really sparked ideas and gave us deeper, insightful perspectives to develop ideas. We were also invited to the astonishing City Chambers in Glasgow for a civic reception where we met the Lord Provost – she was Swedish too! The building was constructed by slaves back when the port was an important trading route for goods and slaves.

The artists met regularly at the welcoming home of community activist Helen Kyle, and on the first night Liz Gardiner invited us to try the traditional Scottish Haggis – unforgettable! We also took part in ts Beall’s performative walk: The Strong Women of the Clydeside. The Fairfield Heritage Museum had a huge impact on me as it resonated with the history of the Gothenburg Shipyard and I plan to go deeper into archival research for my next visit.

The weather was exactly as I expected… our first gift was a umbrella! The shipyard area, the Govan Dry Docks, the River Clyde and Doomster Hill were very inspiring and I would like to explore the possibility of an Augmented Reality (AR) experience. Thanks to Liz, Hamish, Tara and everyone we met in Govan, I’m looking forward to the next time in Govan!

Jonas Myrstrand

 

06 Sep 2019

Reflection: This Body is in Danger

I took the intercity bus from Edinburgh airport to Glasgow city centre. The bus ride was ideal for a first impression of Scotland. The green fields of the countryside made way for the Glasgow urban jungle. Leaving Buchanan bus station, I was immediately impressed by the architecture of the city centre. It had an aura of past-time grandeur. Strangely, the whole atmosphere also felt a bit grim, reminding me of Gotham City in my old superhero Batman comic books. So I was sure this would be a very inspiring week!

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06 Sep 2019

Reflection: Wild Beauty

I was mostly surprised by the River Clyde in Govan which is so beautiful and wild but not easily accessed. There aren’t many spots to sit and enjoy it. The Viking history, the Govan Stones and the architecture of the buildings were stunning. I liked the people in Govan a lot, they were very warm and hospitable. Especially the day that we visited GalGael where they work with wood, and we had meal together, and afterwards we all sang. I got a taste of Celtic culture and how people keep their traditions alive.

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05 Sep 2019

Reflection: The Strong Women of the Clydeside – Protests & Suffragettes

I was both nervous and delighted to welcome the Memory of Water artists to Govan. I first moved my studio there in 2009, after looking around Glasgow for reasonably priced studio space. Someone recommended Unit 7 on Clydebrae Street in front of the Dry Docks (also called the Govan Graving Docks), now derelict. I instantly fell in love with the place, and took the studio literally because of its proximity to the dockyard. I was amazed by the majesty of the Dry Docks, and took many long walks on site; I thought of them as Glasgow’s Parthenon.

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05 Sep 2019

Reflection: Govan Research Residency

Our Govan Research Residency .……..

….was an exciting rollercoaster of meeting people and projects: including a taste of local culture (haggis and whiskey) and the honour of a civic reception from the Lord Provost of Glasgow who welcomed us with hospitality and encouraging words.

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03 Sep 2019

Reflection: Communities

I had no idea that Govan had once been bigger than Glasgow. I was excited by the decorative buildings, monuments and the stories of engineering innovation and rebellion, solidarity and kindness by Govan’s great men and women.


A cycle along the banks of the Clyde with the persistent drizzly rain made everything seem very familiar. There were parts of the Clyde where I felt I could have been cycling by the River Shannon in Ireland, with overhanging willow trees, the odd cormorant diving (presumably for eels), and the slow, deep water rising and falling with the tides.


After meeting representatives of community groups, I realised that the solidarity and support that Mary Barbour had harnessed still existed and was visible through networks of community groups and social enterprises. The social fabric of this city is a complex one.


The dry docks (they weren’t dry, it rained that day too!) surprised me, the community of trees and plants here are well established. I sat for an hour watching the locals quietly go about their business, the pigeons that live under the bridge, the butterflies feeding on the buddleia, the bees, spiders, the ducks, a young magpie family. All these creatures call this place home.

Mary Conroy

 

02 Sep 2019

City Lab: Govan Research Residency

Friday 6th September 2019

Memory of Water’s first international City lab in Govan (the second one is scheduled for June 2020) took place in Film City which is located in the magnificent (and fairly newly refurbished) old Govan Town Hall. The organisation running the building now rents offices, production and post-production spaces to creative media companies. Our urban lab was a hugely successful full day of exploration of the main themes of Memory of Water.

The overall theme of the Lab was the role of participatory arts practice and artistic interventionism in future planning for post-industrial heritage zones in Europe.Read More

01 Sep 2019

Residency: Govan Research Residency

Summary

Our residency was constructed as an intensive cultural mapping process. The objective: to support our visiting artists to uncover as much as possible in the history, heritage, landscape, people, story, myths, legends, architecture and memory of Govan and its context within Glasgow.

Our overall aim was to start with the big picture: like a drone eye in the sky overlooking the Strathclyde valley with the scope of the whole River Clyde gradually zooming in to look closely at identified people and places of interest.Read More